"Susan Dorothea White ... explores the most intimate experiences of her life, as well as more topical subjects, in meticulously limned paintings on wood panels. Her ability to examine unflinchingly such personal milestones as her surgery for a benign brain tumour with a dazed self-portrait in a vertiginously askew hospital setting results in some of the most emotionally jarring narrative imagery in recent art."

Gallery & Studio, New York (1998)

The artist has developed a technique using multiple washes of acrylic paint on plywood panels, often accentuating the wood grain to create texture through translucent glazes. Major paintings are developed through preliminary watercolour compositions and from numerous drawings and pen sketches. The artist favours watercolour for spontaneous work, flower and nature studies.

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PAINTINGS

"Susan Dorothea White ... explores the most intimate experiences of her life, as well as more topical subjects, in meticulously limned paintings on wood panels. Her ability to examine unflinchingly such personal milestones as her surgery for a benign brain tumour with a dazed self-portrait in a vertiginously askew hospital setting results in some of the most emotionally jarring narrative imagery in recent art."

Gallery & Studio, New York (1998)

The artist has developed a technique using multiple washes of acrylic paint on plywood panels, often accentuating the wood grain to create texture through translucent glazes. Major paintings are developed through preliminary watercolour compositions and from numerous drawings and pen sketches. The artist favours watercolour for spontaneous work, flower and nature studies.

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THEME: People
People
67 Works to view Back
67 Works to view Back

People: The human narrative and genre scenes inspired by domestic situations, people at work, musicians, commuters, social issues, blindness, illness, poverty, old age. Portraits include family members, self-portraits, children, babies, and people in their environment. In major paintings the subject is repeated from varied viewpoints in a fugal style composition.
  • Portrait of Baby Paul, with Hands, 1965 circa
    oil on cardboard
    60 x 40 cm
  • Michaela Cuddling Paul, 1965
    oil on composition board
    91 x 61 cm
  • Michaela Pointing to Baby Paul, 1965
    oil on composition board
    51 x 84 cm
  • Babies: Michaela and Paul, 1965
    oil on composition board
    40.5 x 50.5 cm
    Private collection, Australia
  • Baby Paul, Hot Summer Night, 1965
    oil on composition board
    122 x 91 cm
  • Baby Paul, 1965
    oil on composition board
    41 x 47 cm
  • Baby Michaela, 1964
    oil on home-prepared duck on composition board
    57.5 x 46 (var)
  • Perce (remaining fragment of destroyed painting), 1962
    oil on composition board
    81 x 29 cm
  • Rosalind Hughes, 1962
    oil on composition board
    61 x 44.5 cm
  • Dad (WRB White) under Tungsten Light, 1961
    oil on composition board
    48 x 42 cm
  • H L (Les) Cotton, 1961
    oil on composition board
    58 x 48 cm
    Private collection, Australia
  • Dad Working at Kitchen Table, 1961
    oil on composition board
    91 x 76 cm
    Verso: Rocky landscape, 1960 (76 x 91 cm)
  • Brother Bill Reading, 1961
    oil on composition board
    42 x 33.5 cm
  • Flick (Felicity Thompson), 1960 (circa)
    oil on composition board
    44.5 x 44 cm
    Private collection, UK
  • Rocky Landscape, 1960
    oil on composition board
    76 x 91 cm
    (verso of Dad working at kitchen table, 1960, 91 x 76 cm)
  • Ted Wearing Glasses, 1960
    oil on composition board (saw-cuts on right side)
    53.5 x 39.5 cm
  • Uncle Ted in Dressing Gown, Reading, 1959
    oil on composition board
    82 x 66 cm

PAINTINGS : People 67 Works Back
PAINTINGS : People 67 Works Back


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