Printing edition, 2010

"My passion for lithography was ignited when I was a student at the South Australian School of Art" ~ Susan Dorothea White

PRINTS

Susan White produces her own prints, by hand, in her studio. A complete list of the artist's editioned prints (about 100) is in The Printworld Directory of Contemporary Prints and Prices (2006).

Since 1980, White's prints have represented Australia in over 50 international biennales and exhibitions in Japan, Korea, UK, USA, The Netherlands, France, Germany, Italy, Yugoslavia, Poland, etc.

The National Gallery of Australia collection has many of the artist's prints, from 1960 onwards. The lithograph Thieves at the Market, produced while a student, dates from this time.

The freedom and versatility of lithography appeals to the artist. In 1975, she began establishing lithographic facilities in her studio, initially producing prints from metal plates passed through a small wooden wringer on a bed of plywood - Pedestrian Crossing (1977) is an example of this grainier technique.

In 1978, she acquired a professional lithographic printing press, and produced lithographs with up to 15 colours, most requiring separate plates. The Front Veranda (1986) is an example. Later, the artist installed a C19 cast-iron press and equipment for stone lithography. White prints woodcuts and blockprints carved from fibreboard. The artist has produced some etchings, the earliest dating from 1960.

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104 Works to view Page 1 2 3
104 Works to view Page 1 2 3

  • Marienplatz, Munich: no. 2, 1980
    lithograph (mulberry paper, 2 colours)
    43 x 62 cm
  • Lederhosen, 1980
    lithograph
    38 x 57 cm
  • Munich shoppers: no. 1, 1980
    lithograph (13 colours)
    38 x 57 cm
  • Olympiazentrum, Munich, 1980
    lithograph (2 colours)
    43 x 63 cm
  • Marienplatz, Munich: no. 1, 1980
    lithograph (7 colours)
    38 x 57 cm
  • The fisherman's dream, 1980
    lithograph (bleed print, 8 colours)
    41 x 61 cm
  • The wishful fisherman, 1980
    lithograph (bleed print, 8 colours)
    41 x 61 cm
  • Woman of Bavaria, 1980
    lithograph
    60 x 80 cm
  • The gardener's dream: no. 2, 1980
    lithograph (12 colours)
    60 x 80 cm
    Collection: National Gallery of Australia
  • The empty chair, 1980
    lithograph (9 colours)
    40 x 61 cm
    Collection: National Gallery of Australia
  • Two (lithograph, black), 1978
    lithograph
    80 x 60 cm
  • Two (lithograph, coloured), 1978
    lithograph (10 colours)
    80 x 55 cm
  • Where children play, with Rozelle Bay gantry and White Bay Power Station (lithograph), 1978
    lithograph (bleed print)
    75 x 51 cm
  • At home (etching), 1978
    unique etching (1st state)
    40 x 48.5 cm
  • Two (etching), 1978
    etching
    28.5 x 22 cm
  • Two (lithograph, sepia), 1978
    lithograph
    80 x 60 cm
    Collection: Mornington Peninsula Regional Gallery
  • The retired mechanic (lithograph), 1978
    lithograph (2 colours)
    59 x 80 cm
    Collection: National Gallery of Australia
  • The Magic Pudding (lithograph), 1978
    lithograph (9 colours)
    80 x 60 cm
    Collections: Bruce Hall, Australian National University, Canberra; Westmead Hospital, Sydney
  • Noah's Rocket (lithograph), 1978
    lithograph (5 colours)
    79 x 57 cm
    Collection: National Gallery of Australia
  • At home (lithograph), 1978
    lithograph (6 colours)
    40 x 58 cm
    Collections: National Gallery of Australia; Westmead Hospital, Sydney
  • Evening, factory valley: no. 2 (lithograph), 1978
    lithograph
    60 x 80 cm
    Collections: National Gallery of Australia; Westmead Hospital, Sydney
  • Flooded Mongarlowe River: upstream, 1978
    lithograph (dyptych, 8 colours)
    55 x 80 cm
  • Flooded Mongarlowe River: downstream, 1978
    lithograph (dyptych, 8 colours)
    55 x 80 cm
  • Children playing in car park, 1978
    dry point etching (zinc)
    22 x 25.5 cm
  • Stephen and Tigger (etching), 1978
    soft ground etching
    40 x 59.5 cm
  • Stonefish, 1978
    soft ground etching
    29.5 x 22 cm
  • Casualty: Children's Hospital, 3 am (lithograph), 1978
    lithograph (6 colours)
    61 x 80 cm
    Collection: National Gallery of Australia
  • The 470 at 6pm - Sydney bus, 1978
    lithograph (6 colours)
    56 x 40 cm
    Collection: Westmead Hospital, Sydney
  • Early morning, 1977
    unique lithograph (9 colours) and collage
    55.5 x 70 cm
  • Colo Plateau: no. 2, 1977
    lithograph (2 colours)
    40 x 100 cm
  • Old banksias after bushfire, 1977
    lithograph (5 colours)
    53 x 76.5 cm
  • Pedestrian crossing: no. 2, 1977
    lithograph (5 colours)
    53 x 80 cm
    Collection: National Gallery of Australia
  • The gardener's dream: no. 1, 1976
    lithograph (10 colours)
    52.5 x 76 cm
  • Coast banksias, 1976
    lithograph
    56 x 76 cm
  • Banksias after bushfire, 1975
    lithograph (6 colours)
    56 x 76 cm
  • Byzantine birthday, 1975
    lithograph (3 colours)
    38 x 53 cm (var.)
  • Cattai Ridge (lithograph), 1975
    lithograph (3 colours, 3rd state)
    56 x 76 cm
  • Glowing rock, 1975
    lithograph (3 colours)
    76 x 56 cm
  • Haze, 1975
    lithograph
    55 x 79 cm (var.)
  • Silent river, 1975
    stone lithograph
    38 x 56 cm
  • Sunlit gully, 1975
    lithograph
    56 x 76 cm
  • Slingshot, 1975
    woodcut
    63 x 47 cm
  • Tea tree and gum - Easter landscape, 1975
    lithograph (3 colours)
    52.5 x 72 cm
  • Tired travellers, 1972
    stone lithograph
    38 x 56 cm
  • The birthday hat, 1972
    unique lithograph (3 colours)
    56 x 68 cm

PRINTS : 104 Works Page 1 2 3
PRINTS : 104 Works Page 1 2 3


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