Printing edition, 2010

"My passion for lithography was ignited when I was a student at the South Australian School of Art" ~ Susan Dorothea White

PRINTS

Susan White produces her own prints, by hand, in her studio. A complete list of the artist's editioned prints (about 100) is in The Printworld Directory of Contemporary Prints and Prices (2006).

Since 1980, White's prints have represented Australia in over 50 international biennales and exhibitions in Japan, Korea, UK, USA, The Netherlands, France, Germany, Italy, Yugoslavia, Poland, etc.

The National Gallery of Australia collection has many of the artist's prints, from 1960 onwards. The lithograph Thieves at the Market, produced while a student, dates from this time.

The freedom and versatility of lithography appeals to the artist. In 1975, she began establishing lithographic facilities in her studio, initially producing prints from metal plates passed through a small wooden wringer on a bed of plywood - Pedestrian Crossing (1977) is an example of this grainier technique.

In 1978, she acquired a professional lithographic printing press, and produced lithographs with up to 15 colours, most requiring separate plates. The Front Veranda (1986) is an example. Later, the artist installed a C19 cast-iron press and equipment for stone lithography. White prints woodcuts and blockprints carved from fibreboard. The artist has produced some etchings, the earliest dating from 1960.

    Jump to:  

Printing edition, 2010

"My passion for lithography was ignited when I was a student at the South Australian School of Art" ~ Susan Dorothea White

PRINTS

Susan White produces her own prints, by hand, in her studio. A complete list of the artist's editioned prints (about 100) is in The Printworld Directory of Contemporary Prints and Prices (2006).

Since 1980, White's prints have represented Australia in over 50 international biennales and exhibitions in Japan, Korea, UK, USA, The Netherlands, France, Germany, Italy, Yugoslavia, Poland, etc.

The National Gallery of Australia collection has many of the artist's prints, from 1960 onwards. The lithograph Thieves at the Market, produced while a student, dates from this time.

The freedom and versatility of lithography appeals to the artist. In 1975, she began establishing lithographic facilities in her studio, initially producing prints from metal plates passed through a small wooden wringer on a bed of plywood - Pedestrian Crossing (1977) is an example of this grainier technique.

In 1978, she acquired a professional lithographic printing press, and produced lithographs with up to 15 colours, most requiring separate plates. The Front Veranda (1986) is an example. Later, the artist installed a C19 cast-iron press and equipment for stone lithography. White prints woodcuts and blockprints carved from fibreboard. The artist has produced some etchings, the earliest dating from 1960.

    Jump to:  
1960–present
106 Works to view Back
106 Works to view Back

1987 - present:

Post-modern appropriation compositions, social satire. Continued narrative fugal compositions adding symbolic elements. Devised compositions with two poles that can be exhibited either way round and circular paintings with perspective based on concentric circles. Techniques: acrylic on panel; collage; watercolour ... read more

  • Thieves at the Market, 1960
    unique stone lithograph
    31 x 51 cm
    Collection: National Gallery of Australia
  • The Tibetan / Old Tibetan, 1960
    dry point etching (aluminium)
    39 x 29 cm
  • The Worker / Working Man, 1960
    stone lithograph
    51 x 39 cm
  • Ivymeade Stable Ruins, 1960
    unique stone lithograph
    30 x 40 cm
  • Desert Bush / One Bush, 1960
    dry point etching (aluminium)
    15 x 22 cm
    Collection: Broken Hill Technical College
  • Emu Chicks, 1960
    dry point etching (aluminium)
    25 x 17 cm

PRINTS : 1987 - present 106 Works Back
PRINTS : 1987 - present 106 Works Back


    Jump to:  

» Back to previous page

[ Back to top ]

All works and content copyright - Permission to use Images