DRAWINGS

"Susan White is constantly sketching from everyday life and it is from the many sketchbooks that she first extracts the material for her compositions." (A. Wernig, Munich, 1980)

The artist works in a variety of drawing media: pen and ink, ballpoint, brush, crayon, chalk, pastel, conté, and charcoal. Recently she has developed mixed media techniques in silverpoint and goldpoint.

"Capturing the essence in line alone is for me the purest form of expression."

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DRAWINGS

Theme:
Medium:
Grid view
List view
DRAWINGS
313 Works to view Page 1 2 3 4 5
313 Works to view Page 1 2 3 4 5
  • Australian Four-petal Flower (blue), 2008
    goldpoint and conté on silicon carbide paper
    21 x 28 cm
  • Australian Golden Pea Flower (Dillwynia sericea) , 2008
    goldpoint and conté on silicon carbide paper
    21 x 28 cm
  • White Tea Tree Flowers (Leptospermum scoparium), 2008
    goldpoint and conté on silicon carbide paper
    21 x 28 cm
  • Gaia Listening to Grandpa Reading, 2008
    pen
    20 x 20 cm
  • Waratah (goldpoint and pastel), 2008
    goldpoint and pastel on silicon carbide paper
    28 x 21 cm
  • Back Muscles and Shiny Mirror Tendons / Back, neck and shoulder muscles, fascia, 2007
    pastel
    29 x 21 cm
  • Back, neck and shoulder muscles, window dissections, 2007
    pastel
    29 x 21 cm
  • Shoulder (left), posterior view: tendon attachments (above), muscles (below), 2007
    pastel
    29 x 21 cm
  • Deep Hip Muscles / Hip (left), lateral view, deep muscles (gluteus maximus removed), 2007
    pastel
    29 x 21 cm
  • Posterior Thigh Muscles / Lower Limbs and pelvis, posterior view, reflected gluteal muscles, 2007
    pastel
    29 x 21 cm
  • Brain (right): cerebral cortex and cerebellum, 2007
    pastel
    21 x 29 cm
  • Spinal cord in vertebral canal, spinal nerves, membranes, cerebellum, 2007
    pastel
    29 x 21 cm
  • The Skier / Upper Limb and shoulder muscles (right, anterior view), 2007
    pastel
    29 x 21 cm
  • Anatomy of Gestures in The Last Supper: Andrew's Hands, 2007
    pastel and conté
    21 x 29 cm
  • Anatomy of Gestures in The Last Supper: Bartholomew's Left Hand, 2007
    pastel and conté
    21 x 29 cm
  • Anatomy of Gestures in The Last Supper: Christ's Left Hand, 2007
    pastel and conté
    21 x 29 cm
  • Anatomy of Gestures in The Last Supper: Judas' Hand, 2007
    pastel and conté
    21 x 29 cm
  • Anatomy of Gestures in The Last Supper: Matthew's Hands, 2007
    pastel and conté
    37.5 x 55 cm
  • Anatomy of Gestures in The Last Supper: Peter's Hand, 2007
    pastel and conté
    21 x 29 cm
  • Anatomy of Gestures in The Last Supper: Simon's Hands, 2007
    pastel and conté
    29.5 x 42 cm
  • Pelvis and Thighs: skeleton, ligaments, deep muscles, 2007
    pastel and conté
    29 x 21 cm
  • Lower Limb (left), posterior view: hollow of knee, hamstrings, calf muscles , 2007
    pastel and conté
    29 x 21 cm
  • My foot! / Foot (right), superior view of extensor tendons, muscles, 2007
    pastel and conté
    29 x 21 cm
  • Pronated Hand and Forearm (right): extensor muscles and bones, 2007
    pastel and conté
    29 x 21 cm
  • Anatomy of the Shoulder / Upper Limbs and shoulders over skeleton (anterior view), 2007
    pastel and conté
    29 x 21 cm
  • Upper Limb, Shoulder Muscles (right) and Hand with Extensor Tendons (lateral views), 2007
    pastel
    21 x 29.7 cm
  • Insight / Facial muscles and eye, 2006
    pastel
    29 x 21 cm
  • Face and neck muscles (left side), lateral view, 2006
    pastel
    29 x 21 cm
  • Chin up! / Neck and lower jaw (right side): muscles, glands, inferior view, 2006
    pastel
    29 x 21 cm
  • Half Skull, Half Face / Head and neck: face muscles, skull, orbit, and clavicles, 2006
    pastel
    29 x 21 cm
  • Neck (right side): deep muscles and levator scapulae, 2006
    pastel
    29 x 21 cm
  • Anatomy of Michelangelo's David: Proportion and Contrapposto (anterior view), 2006
    chalk on blackboard
    116 x 86 cm
  • Anatomy of Michelangelo's David: Proportion and Contrapposto (posterior view), 2006
    chalk on blackboard
    116 x 86 cm
  • Drawing the Bow / Muscle Action of an Archer (anterior view), 2006
    pastel
    21 x 29 cm
  • Back of the Blade / Shoulder (left), posterior view of muscles, spine of scapula, 2006
    pastel
    29 x 21 cm
  • Upper Limb Actions: Finger lifting (top), flexing with precision grip, extending to point , 2006
    chalk on blackboard
    116 x 86 cm
  • The Cyclist and Tennis Player / Back: spine, ribs, scapulae, neck muscles, 2006
    pastel
    21 x 29 cm
  • Abducted Lower Limb / Thigh muscles, femoral arteries, external genitalia, 2006
    pastel
    29 x 21 cm
  • The Archer's Back / Muscle action of an archer (posterior view), 2006
    pen and spittal wash
    21 x 29 cm
  • Gluteus Maximus / Hip (right), lateral view: window cut in gluteus maximus, sciatic nerve, 2006
    pastel and conté
    29 x 21 cm
  • Marking Exams, 2006
    goldpoint, black chalk and white chalk on silicon carbide paper
    28 x 21 cm
  • Feisty 95-year-old Mum, 2006
    goldpoint, coloured pastel and conté on silicon carbide paper
    28 x 21 cm
  • Lilly Pilly, Blossoms and Berries, 2006
    goldpoint, coloured pastel and conté on silicon carbide paper
    28 x 21 cm
  • Passionfruit and Flower, 2006
    goldpoint, coloured pastel and conté on silicon carbide paper
    21 x 28 cm
  • Georgia Brown (flute), New Dutch Academy Soloists, 2006
    pen
    14 x 20 cm
  • Stephen Freeman (violin), New Dutch Academy Soloists, 2006
    pen
    14 x 20 cm
  • Eduard Wesley (oboe), New Dutch Academy Soloists, 2006
    pen
    14 x 20 cm
  • Simon Murphy (viola), New Dutch Academy Soloists, 2006
    pen
    14 x 20 cm
  • Fetal Skeleton, 2005
    pen
    36 x 28 cm
  • Gilding the Lily, 2005
    goldpoint, black and white chalk on silicon carbide paper
    23 x 28 cm
    (published in Draw Like Da Vinci, 2006)
  • Surgery Reattaching Ginevra de 'Benci's Arms and Hands, 2005
    graphite underdrawing, coloured pencil and conté with giclee
    29 x 21 cm
    (published in Draw Like Da Vinci, 2006)
  • Sex Change for Vitruvian Man, 2005
    drafting pen, black ink and gouache
    24.5 x 21 cm
    (published in Draw Like Da Vinci, 2006)
  • Monochrome Sfumato Tomato, 2005
    pencil and white chalk on blue-toned paper
    37.5 x 27.5 cm
    (published in Draw Like Da Vinci, 2006)
  • 15-colour Sfumato Tomato, 2005
    pastel chalks on red-ochre ingres paper
    32.5 x 24.5 cm
    (published in Draw Like Da Vinci, 2006)
  • Tinting a Towel in Lilac, 2005
    violet, black and white chalk on grey pastel paper
    30 x 21 cm
    (published in Draw Like Da Vinci, 2006)
  • Musicians Living in Amsterdam, 2005
    pastel
    29.7 x 42 cm
  • Right Hand: Studies of Gripping Action, 2003
    pastel
    30 x 42 cm
  • Young Street from Our Window, 2003
    pastel on Japanese paper
    62.5 x 94.5 cm
  • Wounded Tree from Our Window, 2003
    pastel
    42 x 31 cm
  • Anatomy of Rodin's Andromeda: pelvis, sacrum and coccyx, 2002
    wash and liquid paper
    30 x 20 cm
  • Imy Listening to 'The Hobbit', 2002
    pastel
    55.5 x 79 cm
  • Dissected Legs / Legs and feet: muscles, fascia, Achilles tendons, 2001
    pastel and conté
    30 x 42 cm
    (published in Draw Like Da Vinci, 2006)
  • Mother and Son / Skeletons of adult and child contrasted , 2001
    pastel and conté
    42 x 29.5 cm
  • Head and shoulder, abducted arm (left side, superior view), 2001
    pen
    42 x 29.5 cm
  • Sole of Left Foot and Ankle (left, inferior view), 2001
    brown and black pen
    22 x 27 cm
    (published in Draw Like Da Vinci, 2006)
  • Upper Limb and Shoulder (left, posterior view): muscles, tendons, fascia, 2001
    pastel
    29.5 x 42 cm
  • Due, 2001
    pastel
    42 x 29.7 cm
  • Boiling the Billy, 2001
    pastel
    29.7 x 42 cm
  • Baroque Violinist - Stephen Freeman, 2001
    drafting pen and ink
    28.5 x 21 cm
    (published in Draw Like Da Vinci, 2006)
  • Head and Upper Torso Bisected (both halves, external and internal aspects), 2001
    pencil and conté
    29.5 x 42 cm
  • Craig Hill (basset clarinet), Stephen Freeman (violin), Nicole Forsyth (viola), Australian Brandenburg Orchestra, 2001
    woodcut
    21 x 28 cm
  • Peretta Anggerek (countertenor), Australian Brandenburg Orchestra Farewell Concert, ABC Hall, 2001
    pen
    21 x 28 cm
  • Stephen Freeman (violin), Australian Brandenburg Orchestra Farewell Concert, ABC Hall, 2001
    pen
    21 x 28 cm
  • Lower Limb and Bisected Pelvis Specimen (right, inferior view), 2000
    pen
    30 x 42 cm
  • Stephen Freeman - Baroque Violin, 2000
    pastel
    26 x 42 cm

DRAWINGS : 313 Works to view Page 1 2 3 4 5
DRAWINGS : 313 Works to view Page 1 2 3 4 5

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