:

Down-to-Earth after the Storm 2005
based on Leonardo's composition of 'Storm over a valley in the foothills of the Alps', c. 1506
black chalk over giclee
24.0 x 18.0 cm
2005

Analysis of Spiralling Movement in Leonardo da Vinci's 'Storm over a valley in the foothills of the Alps', c. 1506 2005
black chalk over giclee
24.0 x 18.0 cm
2005

Bananas, Chocolate, and Leaf: Hatching to Indicate Planes 2005
pen and light brush wash
21.0 x 29.7 cm
D-2005

Measure for Measure - Width and Height 2005
pencil
21.0 x 29.0 cm
2005

Mind the P's and Queue: Waiting to Use the Perspectograph 2005
calligraphy pen, brown ink with pencil underdrawing
29 x 28 cm
D-2005

Shared Silver Cup Award 2005
white heightening on blue prepared ground
19.0 x 25.0 cm
D-2005

Da Vinci's Inverted Screw 2005
drawn with a brass screw on acrylic paint sample card
4.0 x 7.0 cm
D-2005

Monochrome Sfumato Tomato 2005
pencil and white chalk
37.5 x 27.5 cm
T-2005

Pastry $4 (cafe on street) 2004
felt-tip pen, black ink
20.9 x 12.2 cm
D-2004

Navel gazing (study for sandstone sculpture) 2004
pencil
29.8 x 23.1 cm
D-2004

Pronated right forearm and notes, 'Lost for Words' 2003
pencil
29.0 x 42.1 cm
D-2003

Supinated left forearm and notes, 'Lost for Words' 2003
pencil
42.1 x 29.0 cm
D-2003

Hands on bike handlebars (self-portrait) 2003
pencil
37.9 x 51.0 cm
D-2003

Stephen's hand, holding bow 2003
pencil
37.9 x 51.0 cm
D-2003

Stephen's feet, walking 2003
pencil
37.9 x 51.0 cm
D-2003

Stephen's hands, playing violin 2003
pencil
37.9 x 51.0 cm
D-2003

Stephen with goatee beard 2003
pencil
37.9 x 51.0 cm
D-2003

Train back to Melbourne, injecting addict ... 2003
graphite
20.2 x 29.7 cm
D-2003

Ferry to Sorrento from Queenscliff 2003
graphite
20.2 x 29.7 cm
D-2003

Simon at Ararat 2003
graphite
29.7 x 20.2 cm
D-2003

Ben and Stephen at Ararat 2003
graphite
20.2 x 29.7 cm
D-2003

Nicole at Ararat 2003
graphite
20.2 x 29.7 cm
D-2003

Stephen performing on violin 5 (bow arm) 2003
pencil
23.1 x 29.8 cm
D-2003

Stephen performing on violin 4 (three-quarter back view) 2003
pencil
23.1 x 29.8 cm
D-2003

Stephen performing on violin 3 (left arm) 2003
pencil
29.8 x 23.1 cm
D-2003

Stephen performing on violin 2 (beard) 2003
pencil
29.8 x 23.1 cm
D-2003

Stephen performing on violin 1 (hands) 2003
pencil
23.1 x 29.8 cm
D-2003

Violin by B.J. Boussu, Brussels, Belgium, 1759 (Stephen's violin) 2 2002
graphite
29.2 x 42.0 cm
D-2002

Stephen, hand on bow frog 2002
graphite
29.2 x 42.0 cm
D-2002

Stephen, three-quarter back view, hand studies 2002
graphite
42.0 x 29.2 cm
D-2002

Stephen's neck, chin off the violin 2002
graphite
42.0 x 29.2 cm
D-2002

Stephen, left hand playing strings, proportion notes 2002
graphite
42.0 x 29.2 cm
D-2002

Stephen playing violin, three-quarter back view 2002
graphite
29.2 x 42.0 cm
D-2002

Stephen, bow hand playing 2 2002
graphite
29.2 x 42.0 cm
D-2002

Stephen, bow hand playing 1 2002
graphite
29.2 x 42.0 cm
D-2002

Violin by B.J. Boussu, Brussels, Belgium, 1759 (Stephen's violin) 1 2002
graphite
29.2 x 42.0 cm
D-2002

Stephen standing, playing violin, proportions 2002
graphite
42.0 x 29.2 cm
D-2002

Stephen playing e string 2002
graphite
42.0 x 29.2 cm
D-2002

Stephen, impression, both hands 2002
graphite
29.2 x 42.0 cm
D-2002

Stephen, chin off the violin 2002
graphite
42.0 x 29.2 cm
D-2002

Stephen, foreshortened violin 2002
graphite
42.0 x 29.2 cm
D-2002

Courante (Stephen Freeman, violin) 2002
graphite
29.2 x 42.0 cm
D-2002

Imy listening to Grandpa reading Harry Potter 2002
graphite
20.2 x 29.7 cm
D-2002

Rambone (Ewing's dog) 2002
graphite
20.2 x 29.7 cm
D-2002

Imy (new glasses) 2002
graphite
20.2 x 29.7 cm
D-2002

Neal Peres da Costa and Nicole Forsyth in Semele, Pinchgut Opera 2002
graphite
20.2 x 29.7 cm
D-2002

Stephen and Hannah in Semele (violins, Pinchgut Opera) 2002
graphite
20.2 x 29.7 cm
D-2002

Semele, Pinchgut Opera (orchestra) 2002
graphite
29.7 x 20.2 cm
D-2002

Gaia at Mannum 2002
graphite
29.7 x 20.2 cm
D-2002

Head specimen, arm (cross section) 2001
pencil
29.7 x 20.4 cm
A-2001

Head in the Clouds or the Dreamer (Imogen) 2001
conte, black and drafting pen, black ink
14.2 x 20.8 cm
2001

Najet for 'Cyclone Sally meets Hurricane Harry' 2001
pencil
20.4 x 29.7 cm
D-2001

Hand gesture for 'Cyclone Sally meets Hurricane Harry' 2001
pencil
20.4 x 29.7 cm
D-2001

Bisection of head, neck and thorax (both halves, viscera removed) 2001
pencil and conte
29.5 x 42 cm
A-2001

The last minute, for the last time, running out of time, making time (ideas with shoe lasts) 2000
ballpoint pen, black ink
19.1 x 24.0 cm
D-2000

Reinventing the wheel 2 (sculpture assemblage ideas) 2000
ballpoint pen, black ink
19.1 x 24.0 cm
D-2000

Reinventing the wheel 1 (sculpture assemblage ideas) 2000
ballpoint pen, black ink
19.1 x 24.0 cm
D-2000

Michaela and Gaia 2 1999
pencil
33.2 x 23.7 cm
D-1999

Gaia's hands 1999
pencil
33.2 x 23.7 cm
D-1999

Great Granny reading to Imy 1999
pencil
23.7 x 33.2 cm
D-1999

Freudian early morning (composition sketch) 1998
pencil
41.9 x 59.5 cm
D-1998

Sash window and frame (for 'Freudian Early Morning') 1998
pencil
41.9 x 59.5 cm
D-1998

Brian yawning (for 'Freudian Early Morning') 1998
pencil
41.9 x 59.5 cm
D-1998

Bedsheets (for 'Freudian Early Morning') 4 1998
pencil
41.9 x 59.5 cm
D-1998

Bedsheets (for 'Freudian Early Morning') 3 1998
pencil
41.9 x 59.5 cm
D-1998

Bedsheets (for 'Freudian Early Morning') 2 1998
pencil
41.9 x 59.5 cm
D-1998

Bedsheets (for 'Freudian Early Morning') 1 1998
pencil
41.9 x 59.5 cm
D-1998

Freudian Early Morning (preparatory study) 14 1998
pencil
36.8 x 53.4 cm
D-1998

Freudian Early Morning (preparatory study) 13 1998
pencil
36.8 x 53.4 cm
D-1998

Freudian Early Morning (preparatory study) 12 1998
pencil
36.8 x 53.4 cm
D-1998

Freudian Early Morning (preparatory study) 11 1998
pencil
36.8 x 53.4 cm
D-1998

Freudian Early Morning (preparatory study) 10 1998
pencil
36.8 x 53.4 cm
D-1998

Freudian Early Morning (preparatory study) 9 1998
pencil
37.0 x 53.4 cm
D-1998

Freudian Early Morning (preparatory study) 8 1998
pencil
37.0 x 53.4 cm
D-1998

Freudian Early Morning (preparatory study) 7 - Brian yawning 1998
pencil
37.4 x 27.4 cm
D-1998

Freudian Early Morning (preparatory study) 6 1998
pencil
37.4 x 27.4 cm
D-1998

Freudian Early Morning (preparatory study) 5 1998
pencil
27.4 x 37.4 cm
D-1998

Freudian Early Morning (preparatory study) 4 1998
pencil
27.4 x 37.4 cm
D-1998

Freudian Early Morning (preparatory study) 3 1998
pencil
27.4 x 37.4 cm
D-1998

Freudian Early Morning (preparatory study) 2 1998
pencil
27.4 x 37.4 cm
D-1998

Freudian Early Morning (preparatory study) 1 1998
pencil
27.4 x 37.4 cm
D-1998

Gaia (outline) 1998
pencil
17.7 x 11.7 cm
D-1998

Imy (smudged) 1998
pencil (smudged)
11.7 x 17.7 cm
D-1998

Gaia, two heads 2 (hand to mouth) 1998
pencil
33.2 x 23.7 cm
D-1998

Gaia, two heads 1 1998
pencil
33.2 x 23.7 cm
D-1998

Imy profile and eyes 2 1998
pencil
33.2 x 23.7 cm
D-1998

Imy profile and eyes 1 1998
pencil
33.2 x 23.7 cm
D-1998

Michaela (Christmas '98) 1998
pencil
33.2 x 23.7 cm
D-1998

Michaela and Gaia 1 1998
pencil
33.2 x 23.7 cm
D-1998

Gaia asleep 1998
pencil
23.7 x 33.2 cm
D-1998

Smasch reading to Imy 2 (with feet) 1998
pencil
33.2 x 23.7 cm
D-1998

Smasch reading to Imy 1 1998
pencil
23.7 x 33.2 cm
D-1998

Subway, NY (family, from memory) 1998
pencil
19.1 x 24.0 cm
D-1998

Estuary, pink marble carving by Lorrie Goulet, comment to Goulet on her work by SDW, notes on exhibits 1998
(Museum of Women in the Arts)
pencil
19.1 x 24.0 cm
D-1998

Nova, alabaster carving by Lorrie Goulet and her notes on her carving 1998
(Museum of Women in the Arts)
pencil
24.0 x 19.1 cm
D-1998

Cyclone Sally meets hurricane Harry (Huon pine sculpture idea) 3 1997
drafting pen, black ink
36.6 x 51.0 cm
D-1999

Cyclone Sally meets hurricane Harry (Huon pine sculpture idea) 2 1997
pencil
36.6 x 51.0 cm
D-1999

Cyclone Sally meets hurricane Harry (Huon pine sculpture idea) 1 1997
pencil
36.6 x 51.0 cm
D-1999

The elements (circular composition), notes 1997
pencil
51.0 x 36.6 cm
D-1999

Figure - elements - spirals 1997
pencil
51.0 x 36.6 cm
D-1999

Sun, aboriginal figures (circular composition) 1997
pencil
51.0 x 36.6 cm
D-1999

Michaela breastfeeding Gaia (from memory) 1997
pencil
51.0 x 36.6 cm
D-1998

Michaela and Imy (from memory) 1997
pencil
51.0 x 36.6 cm
D-1998

Menopausal me in saucepan lid 3 1997
pencil
36.6 x 51.0 cm
D-1998

Menopausal me in saucepan lid 2 1997
pencil
51.0 x 36.6 cm
D-1998

Menopausal me in saucepan lid 1 1997
pencil
51.0 x 36.6 cm
D-1998

Antipodes, spirit of downunder (sculpture idea) 3 1997
pencil
51.0 x 36.6 cm
D-1998

Antipodes, spirit of downunder (sculpture idea) 2 1997
pencil
51.0 x 36.6 cm
D-1998

Antipodes, spirit of downunder (sculpture idea) 1 1997
pencil
51.0 x 36.6 cm
D-1998

Sheela pod (idea) 1997
pencil
51.0 x 36.6 cm
D-1997

Stretching the imagination (composition for 6-colour lithograph) 1997
pencil
36.6 x 51.0 cm
D-1997

Our block, Annandale Street (semicircular composition) 1997
pencil
36.6 x 51.0 cm
D-1997

Our block, Annandale Street (circular composition) 1997
pencil
51.0 x 36.6 cm
D-1997

Dug's daffodils (composition) 1997
pencil
36.6 x 51.0 cm
D-1997

The eye of the storm 1997
pencil and watercolour
51.0 x 36.6 cm
D-1997

Spirit of the willy-willy wind (colour notes) 1997
pencil and watercolour
51.0 x 36.6 cm
D-1997

Last BBQ, Pauline Hanson grilling Australia ... 1997
pencil
36.6 x 51.0 cm
D-1997

The last BBQ 1997
pencil
36.6 x 51.0 cm
D-1997

Idea for last BBQ 1997
pencil
36.6 x 51.0 cm
D-1997

On cloud nine (idea) 1997
pencil
51.0 x 36.6 cm
D-1997

The last BBQ (circular composition) 1997
pencil
36.6 x 51.0 cm
D-1997

Fire-making 1997
pencil
51.0 x 36.6 cm
D-1997

The elements - fire, air, earth, water (composition) 1997
pencil and watercolour
51.0 x 36.6 cm
D-1997

Recovery after brain surgery (composition sketch) 3 1997
pencil
51.0 x 36.6 cm
D-1997

Recovery after brain surgery (composition sketch) 2 1997
pencil
51.0 x 36.6 cm
D-1997