Prints : Scenes

Susan White produces her own prints, by hand, in her studio. A complete list of the artist's editioned prints (about 100) is in The Printworld Directory of Contemporary Prints and Prices (2006).

Since 1980, White's prints have represented Australia in over 50 international biennales and exhibitions in Japan, Korea, UK, USA, The Netherlands, France, Germany, Italy, Yugoslavia, Poland, etc.

The National Gallery of Australia collection has many of the artist's prints, from 1960 onwards. The lithograph Thieves at the Market, produced while a student, dates from this time.

The freedom and versatility of lithography appeals to the artist. In 1975, she began establishing lithographic facilities in her studio, initially producing prints from metal plates passed through a small wooden wringer on a bed of plywood - Pedestrian Crossing (1977) is an example of this grainier technique.

In 1978, she acquired a professional lithographic printing press, and produced lithographs with up to 15 colours, most requiring separate plates. The Front Veranda (1986) is an example. Later, the artist installed a C19 cast-iron press and equipment for stone lithography. White prints woodcuts and blockprints carved from fibreboard. The artist has produced some etchings, the earliest dating from 1960.

Prints

Theme: Scenes
Prints Theme: Scenes
33 Works to view
33 Works to view

Scenes: Atmospheric landscapes composed in the studio: trees, rivers, rocks, cliffs. Plein air (early works) include bush, desert, sunsets and coastal scenes. City scenes include: streets, buildings, backyards, factories, and construction sites.
  • Thelma dancing to radio (hand-coloured) 1983
    lithograph and watercolour
    38 x 56.5 cm
    L-1983
  • Flooded Mongarlowe River: Upstream 1978
    lithograph (diptych, 8 colours)
    55 x 80 cm (image and sheet)
    E-1978-6
  • Flooded Mongarlowe River: Downstream 1978
    lithograph (diptych, 8 colours)
    55 x 80 cm (image and sheet)
    E-1978-7
  • Evening Factory Valley, no. 2 1978
    aka Evening: Factory Valley
    lithograph
    52 x 72 cm (printed image); 60 x 80 cm (sheet)
    E-1978-8
  • Where children play, with Rozelle Bay gantry and White Bay Power Station 1978
    aka Where Children Play No. 2
    lithograph (bleed print)
    74.5 x 50.5 cm (image and sheet)
    E-1978-16
  • Two (etching, van Dyke brown) 1978
    etching
    35.5 x 27 cm
    E-1978-19
  • Mongarlowe River - Upstream 1978
    lithograph
    63 x 86.5 cm
    E-1978-20
  • Old banksias 1977
    aka Old Banksias after Bushfire / Old Banksias Burnt
    lithograph (5 colours)
    43 x 66 cm (printed image); 53.5 x 77 cm, 52 x 76 cm (sheets, var.)
    E-1977-2
  • Colo Plateau, no. 2 1977
    lithograph (2 colours)
    40 x 100 cm
    E-1977-3
  • Colo Plateau, no. 1 1977
    lithograph (2 colours)
    40 x 100 cm
    E-1977-5
  • Coast banksias 1976
    aka Bunga Banksias
    lithograph (4 colours)
    42 x 61 cm (printed image); 56 x 76.5 cm (sheet)
    E-1976-1
  • Evening Factory Valley, no. 1 1975
    lithograph
    48 x 60 cm (printed image); 56 x 67 cm (sheet)
    E-1975-4
  • Tea tree and gum 1975
    aka Easter Landscape
    lithograph (3 colours)
    42 x 57 cm (printed image); 56 x 76 cm (sheet, var.)
    E-1975-11
  • Silent river 1975
    stone lithograph
    32 x 52.5 cm (printed image); 38 x 56 cm (sheet)
    E-1975-2
  • Haze 1975
    lithograph
    40 x 56 cm (printed image); 51 x 76 cm and 55 x 79 cm (sheets, var.)
    E-1975-9
  • Glowing rock 1975
    lithograph (3 colours)
    47.5 x 42 cm (printed image); 76.3 x 56 cm (sheet)
    E-1975-6
  • Cattai Ridge (4th and final state) 1975
    (overprinted with Haze plate)
    aka Cattai
    lithograph (3 colours, 3rd state)
    43 x 62.5 cm (printed images); 56 x 76 cm (sheet)
    E-1975-8
  • Banksias after bushfire (final state) 1975
    lithograph (7 colours)
    48 x 60 cm (printed image); 56 x 76 cm (sheet)
    E-1975-7
  • Ghost gums at Maitland 1975
    aka Ghost Gums
    woodblock
    62 x 43.5 cm (printed image); 76 x 56 cm (sheet)
    E-1975-13
  • The crossing (final state) 1975
    aka Pedestrian Crossing
    lithograph
    45.5 x 47 cm (printed image); 56 x 76 cm (sheet)
    E-1975-5
  • Silent river (3 colours) 1975
    stone lithograph
    32 x 52.5 cm (printed image); 42.0 x 59.4 cm (sheet)
    E-TEMP
  • The crossing (1st state) 1975
    aka Pedestrian Crossing
    lithograph
    45.5 x 47 cm (printed image); 56 x 76 cm (sheet)
    E-1975-5
  • Sydney smog (1st state) 1972
    stone lithograph (2 colours)
    32 x 53 cm (printed image, var.); 38 x 56, 44.5 x 63.5 cm (sheet, var.)
    E-1972-3
  • Sydney smog (2nd state) 1972
    stone lithograph (3 colours)
    32 x 53 cm (printed image, var.); 38 x 56 cm (sheet)
    E-1972-3
  • Ochre glade 1972
    aka Golden Valley / Autumn Hollow
    stone lithograph (5 colours)
    35 x 39 cm (printed image, var.); 38 x 53-56 cm (sheet, var.)
    E-1972-1
  • Sydney smog (3rd and final state) 1972
    unique stone lithograph (4 colours)
    28.5 x 50.5 cm (printed image); 32 x 53 cm (sheet, var.)
    E-1972-3
  • Sydney: construction city 1972
    2nd and final state
    unique linocut (2 colours)
    24 x 21.5 cm (printed image); 38 x 38 cm (sheet)
    E-1972-4
  • Sydney: construction city (1st state) 1972
    linocut
    24 x 21.5 cm (printed image); 50 x 32.5 and 38 x 32.5 cm (sheets)
    E-1972-4
  • Sunlit gully 1972
    lithograph
    50.8 x 62.7 cm (printed image); 56 x 76 cm (sheet)
    E-1975-3
  • Bus commuters 1972
    drypoint etching
    25 x 26 cm (printed image, irreg.)
    D-1972
  • Winter walk, Glebe 1972
    aka Bleak Glebe
    lithograph
    66 x 46 cm (printed image); 76 x 56 cm (sheet)
    E-1972
  • One bush 1960
    aka Desert Bush
    drypoint etching
    13.5 x 18 cm (printed image); 15 x 22 cm (sheet)
    E-1960-2
  • Ivymeade stable ruins 1960
    stone lithograph
    30 x 39.5 cm (image and sheet)
    E-1960-3

Prints : Scenes 33 Works to view
Prints : Scenes 33 Works to view


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