"My passion for lithography was ignited when I was a student at the South Australian School of Art" ~ Susan Dorothea White
PRINTS: Blockprints, Woodcuts
Susan White produces her own prints, by hand, in her studio. A complete list of the artist's editioned prints (about 100) is in The Printworld Directory of Contemporary Prints and Prices (2006).
Since 1980, White's prints have represented Australia in over 50 international biennales and exhibitions in Japan, Korea, UK, USA, The Netherlands, France, Germany, Italy, Yugoslavia, Poland, etc.
The National Gallery of Australia collection has many of the artist's prints, from 1960 onwards. The lithograph Thieves at the Market, produced while a student, dates from this time.
The freedom and versatility of lithography appeals to the artist. In 1975, she began establishing lithographic facilities in her studio, initially producing prints from metal plates passed through a small wooden wringer on a bed of plywood - Pedestrian Crossing (1977) is an example of this grainier technique.
In 1978, she acquired a professional lithographic printing press, and produced lithographs with up to 15 colours, most requiring separate plates. The Front Veranda (1986) is an example. Later, the artist installed a C19 cast-iron press and equipment for stone lithography. White prints woodcuts and blockprints carved from fibreboard. The artist has produced some etchings, the earliest dating from 1960.
"My passion for lithography was ignited when I was a student at the South Australian School of Art" ~ Susan Dorothea White
PRINTS
Susan White produces her own prints, by hand, in her studio. A complete list of the artist's editioned prints (about 100) is in The Printworld Directory of Contemporary Prints and Prices (2006).
Since 1980, White's prints have represented Australia in over 50 international biennales and exhibitions in Japan, Korea, UK, USA, The Netherlands, France, Germany, Italy, Yugoslavia, Poland, etc.
The National Gallery of Australia collection has many of the artist's prints, from 1960 onwards. The lithograph Thieves at the Market, produced while a student, dates from this time.
The freedom and versatility of lithography appeals to the artist. In 1975, she began establishing lithographic facilities in her studio, initially producing prints from metal plates passed through a small wooden wringer on a bed of plywood - Pedestrian Crossing (1977) is an example of this grainier technique.
In 1978, she acquired a professional lithographic printing press, and produced lithographs with up to 15 colours, most requiring separate plates. The Front Veranda (1986) is an example. Later, the artist installed a C19 cast-iron press and equipment for stone lithography. White prints woodcuts and blockprints carved from fibreboard. The artist has produced some etchings, the earliest dating from 1960.
MEDIA:Blockprints, Woodcuts
1960–present
Blockprints, Woodcuts
19 Works to view
19 Works to view
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Not a Rothko, 2010
woodcut
30 x 21 cm
(She Sees Series)
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Not a Rothko (hand-stippled), 2010
woodcut, brush
30 x 21 cm
(She Sees Series)
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She Sees His New Clothes (hand-coloured), 2010
woodcut (hand-coloured)
21 x 30 cm
(She Sees Series)
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She Sees His New Clothes, 2010
woodcut
21 x 30 cm
(She Sees Series)
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Goose Camp Kakadu: Moonrise at Sunset (hand-coloured), 2010
woodcut (hand-coloured)
60.5 x 80.5 cm
Collection: National Gallery of Australia
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Goose Camp Kakadu: Moonrise at Sunset, 2010
woodcut
60.5 x 80.5 cm
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Germination / Sheela seedpod (woodcut), 1997
woodcut
82 x 52 cm
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Intensive Psychiatric Care Unit (IPCU), 1996
woodcut
80 x 60 cm
Collection: National Gallery of Australia
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The Seven Deadly Sins of Modern Times (blockprint), 1993
blockprint (medium-density fibreboard)
70 x 66 cm
Collection: National Gallery of Australia
-
Blind (The Blind Woman of Annandale), 1992
woodcut
60 x 80 cm
Collection: National Gallery of Australia
-
Cry Freedom, 1990
blockprint (medium-density fibreboard)
45.8 x 30.4 cm (image), 57 x 38.2 cm (sheet)
Collection: National Gallery of Australia
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Man Creating the Hole in the Ozone Layer, 1990
woodcut (hand-coloured)
28 x 37 cm
-
Massacre, Tiananmen Square (hand-coloured), 1989
unique blockprint (hand-coloured, medium-density fibreboard)
57 x 38 cm
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Massacre, 1989
blockprint (medium-density fibreboard)
57 x 38 cm
Collection: National Gallery of Australia
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Claustrophobia - Set in Concrete, 1987
unique cement print
38 x 25 cm
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Thelma of Wilcannia, 1983
woodcut
62 x 79 cm
Collection: National Gallery of Australia
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Ghost Gums at Maitland / Ghost Gums, 1975
woodcut
76 x 56 cm
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Slingshot, 1975
woodcut
63 x 47 cm
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Sydney: Construction City (final state), 1972
unique linocut (2 colours, 2nd state)
38 x 38 cm
PRINTS :
Blockprints, Woodcuts
19 Works
PRINTS :
Blockprints, Woodcuts
19 Works