Prints : Scenes

Susan White produces her own prints, by hand, in her studio. A complete list of the artist's editioned prints (about 100) is in The Printworld Directory of Contemporary Prints and Prices (2006).

Since 1980, White's prints have represented Australia in over 50 international biennales and exhibitions in Japan, Korea, UK, USA, The Netherlands, France, Germany, Italy, Yugoslavia, Poland, etc.

The National Gallery of Australia collection has many of the artist's prints, from 1960 onwards. The lithograph Thieves at the Market, produced while a student, dates from this time.

The freedom and versatility of lithography appeals to the artist. In 1975, she began establishing lithographic facilities in her studio, initially producing prints from metal plates passed through a small wooden wringer on a bed of plywood - Pedestrian Crossing (1977) is an example of this grainier technique.

In 1978, she acquired a professional lithographic printing press, and produced lithographs with up to 15 colours, most requiring separate plates. The Front Veranda (1986) is an example. Later, the artist installed a C19 cast-iron press and equipment for stone lithography. White prints woodcuts and blockprints carved from fibreboard. The artist has produced some etchings, the earliest dating from 1960.

Scenes
26 Works to view
26 Works to view

Scenes: Atmospheric landscapes composed in the studio: trees, rivers, rocks, cliffs. Plein air (early works) include bush, desert, sunsets and coastal scenes. City scenes include: streets, buildings, backyards, factories, and construction sites.
  • Evening Factory Valley, no. 2 1978
    aka Evening: Factory Valley
    lithograph
    52 x 72 cm (image), 60 x 80 cm (sheet)
    E-1978-8
  • Flooded Mongarlowe River: Downstream 1978
    lithograph (dyptych, 8 colours)
    55 x 80 cm (image and sheet)
    E-1978-7
  • Flooded Mongarlowe River: Upstream 1978
    lithograph (dyptych, 8 colours)
    55 x 80 cm (image and sheet)
    E-1978-6
  • Mongarlowe River - Upstream 1978
    lithograph (on washi paper)
    63 x 86.5 cm
    E-1978-20
  • Two (etching - van Dyke brown) 1978
    etching
    35.5 x 27 cm
    E-1978-19
  • Where Children Play 1978
    aka Where Children Play No. 2
    lithograph (bleed print)
    74.5 x 50.5 cm (image and sheet)
    E-1978-16
  • Colo Plateau, no. 1 1977
    lithograph (2 colours)
    40 x 100 cm
    E-1977-5
  • Colo Plateau, no. 2 1977
    lithograph (2 colours)
    40 x 100 cm
    E-1977-3
  • Old Banksias 1977
    aka Old Banksias after Bushfire / Old Banksias Burnt
    lithograph (5 colours)
    43 x 66 cm (image), 53.5 x 77; 52 x 76 (sheet)
    E-1977-2
  • Coast Banksias / Bunga Banksias 1976
    lithograph (4 colours)
    42 x 61 cm (image), 56 x 76.5 cm (sheet)
    E-1976-1
  • Haze 1975
    lithograph
    55 x 79 cm (var.)
    E-1975-9
  • Cattai / Cattai Ridge 1975
    lithograph (3 colours, 3rd state)
    56 x 76 cm
    E-1975-8
  • Banksias after Bushfire 1975
    (final state)
    lithograph
    48 x 60 cm (image), 56 x 76 cm (sheet)
    E-1975-7
  • Glowing Rock 1975
    lithograph
    47.5 x 42 cm (image), 76.3 x 56 cm (sheet)
    E-1975-6
  • The Crossing / Pedestrian Crossing 1975
    lithograph
    45.5 x 47 cm (image), 56 x 76 cm (sheet)
    E-1975-5
  • Evening Factory Valley, no. 1 1975
    lithograph
    48 x 60 cm (image), 56 x 67 cm (sheet)
    E-1975-4
  • Sunlit Gully 1972
    lithograph, zinc
    50 x 62 cm (image), 56 x 76 cm (sheet)
    E-1975-3
  • Silent River 1975
    stone lithograph
    38 x 56 cm
    E-1975-2
  • Ghost Gums 1975
    aka Ghost Gums at Maitland
    woodblock
    62 x 43.5 cm (image), 76 x 56 cm (sheet)
    E-1975-13
  • Tea Tree and Gum / Easter Landscape 1975
    lithograph (3 colours)
    42 x 57 cm (image), 56 x 76 cm (var.) (sheet)
    E-1975-11
  • Sydney: Construction City (1st state) 1972
    linocut
    24 x 21.5 cm (image), 38 x 38 cm (sheet)
    E-1972-4
  • Sydney: Construction City 1972
    2nd and final state
    unique linocut
    24 x 21.5 cm (image), 38 x 38 cm (sheet)
    E-1972-4
  • Sydney Smog 1972
    (3rd and final state)
    unique stone lithograph (4 colours), stone edge impression; paper cut; pin-holes; adhesive tape; children's drawing verso
    28.5 x 50.5 cm (image), 32 x 53 cm (var.) (sheet)
    E-1972-3
  • Ochre Glade / Golden Valley / Autumn Hollow 1972
    stone lithograph, stone edge imprint
    35 x 39 cm (var.) (image), 38 x 56/53 cm (var.) (sheet)
    E-1972-1
  • Ivymeade Stable Ruins 1960
    stone lithograph
    30 x 39.5 cm (image and sheet)
    E-1960-3
  • One Bush 1960
    aka Desert Bush
    dry point etching (aluminium)
    13.5 x 18 cm (image), 15 x 22 cm (sheet)
    E-1960-2

Prints : Scenes 26 Works
Prints : Scenes 26 Works


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