Susan White produces her own prints, by hand, in her studio. A complete list of the artist's editioned prints (about 100) is in The Printworld Directory of Contemporary Prints and Prices (2006).
Since 1980, White's prints have represented Australia in over 50 international biennales and exhibitions in Japan, Korea, UK, USA, The Netherlands, France, Germany, Italy, Yugoslavia, Poland, etc.
The National Gallery of Australia collection has many of the artist's prints, from 1960 onwards. The lithograph Thieves at the Market, produced while a student, dates from this time.
The freedom and versatility of lithography appeals to the artist. In 1975, she began establishing lithographic facilities in her studio, initially producing prints from metal plates passed through a small wooden wringer on a bed of plywood - Pedestrian Crossing (1977) is an example of this grainier technique.
In 1978, she acquired a professional lithographic printing press, and produced lithographs with up to 15 colours, most requiring separate plates. The Front Veranda (1986) is an example. Later, the artist installed a C19 cast-iron press and equipment for stone lithography. White prints woodcuts and blockprints carved from fibreboard. The artist has produced some etchings, the earliest dating from 1960.
PRINTS
Susan White produces her own prints, by hand, in her studio. A complete list of the artist's editioned prints (about 100) is in The Printworld Directory of Contemporary Prints and Prices (2006).
Since 1980, White's prints have represented Australia in over 50 international biennales and exhibitions in Japan, Korea, UK, USA, The Netherlands, France, Germany, Italy, Yugoslavia, Poland, etc.
The National Gallery of Australia collection has many of the artist's prints, from 1960 onwards. The lithograph Thieves at the Market, produced while a student, dates from this time.
The freedom and versatility of lithography appeals to the artist. In 1975, she began establishing lithographic facilities in her studio, initially producing prints from metal plates passed through a small wooden wringer on a bed of plywood - Pedestrian Crossing (1977) is an example of this grainier technique.
In 1978, she acquired a professional lithographic printing press, and produced lithographs with up to 15 colours, most requiring separate plates. The Front Veranda (1986) is an example. Later, the artist installed a C19 cast-iron press and equipment for stone lithography. White prints woodcuts and blockprints carved from fibreboard. The artist has produced some etchings, the earliest dating from 1960.
THEME:
People
1960–present
People
51 Works to view
51 Works to view
People: The human narrative and genre scenes inspired by domestic situations, people at work, musicians, commuters, social issues, blindness, illness, poverty, old age. Portraits include family members, self-portraits, children, babies, and people in their environment. In major paintings the subject is repeated from varied viewpoints in a fugal style composition.
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Goose Camp Kakadu: Moonrise at Sunset (hand-coloured), 2010
woodcut (hand-coloured)
60.5 x 80.5 cm
Collection: National Gallery of Australia
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Goose Camp Kakadu: Moonrise at Sunset, 2010
woodcut
60.5 x 80.5 cm
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Intensive Psychiatric Care Unit (IPCU), 1996
woodcut
80 x 60 cm
Collection: National Gallery of Australia
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Blind (The Blind Woman of Annandale), 1992
woodcut
60 x 80 cm
Collection: National Gallery of Australia
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Blind, 1991
lithograph (ultramarine)
41 x 61 cm
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To Let / The Diabetic Evicted from The Rocks (black), 1990
stone lithograph (black)
57 x 38 cm
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Cry Freedom, 1990
blockprint (medium-density fibreboard)
45.8 x 30.4 cm (image), 57 x 38.2 cm (sheet)
Collection: National Gallery of Australia
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To Let / The Diabetic (Evicted from The Rocks) (coloured), 1990
stone lithograph (12 colours)
57 x 38 cm
Collection: National Gallery of Australia
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Massacre, Tiananmen Square (hand-coloured), 1989
unique blockprint (hand-coloured, medium-density fibreboard)
57 x 38 cm
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Massacre, 1989
blockprint (medium-density fibreboard)
57 x 38 cm
Collection: National Gallery of Australia
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Cry Freedom / Apartheid (lithograph), 1989
lithograph (3 colours)
57 x 38 cm
Collection: Fredrikstad Museum
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Cliff-hanger, 1988
lithograph
18 x 18 cm
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Fenced in, Kent St, The Rocks, Sydney, 1988
stone lithograph
28 x 26 cm
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Ward 4, Rozelle Hospital, Callan Park (hand-coloured), 1986
unique lithograph (hand-coloured)
76 x 56 cm
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Ward 4, 1986
lithograph
76 x 56 cm
Collection: National Gallery of Australia
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The Story, 1985
lithograph
57 x 76 cm
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Mise-en-scène, 1984
lithograph
76 x 56 cm
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Thelma of Wilcannia (lithograph), 1983
lithograph
57 x 38 cm
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Thelma of Wilcannia, 1983
woodcut
62 x 79 cm
Collection: National Gallery of Australia
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The Ghost of Kabbarli, Daisy Bates (lithograph), 1983
lithograph (3 colours)
60 x 80 cm
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A Month in the Life of a Sydney Schoolboy, 1983
lithograph
51 x 70 cm
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Marienplatz, Munich, no. 2, 1980
lithograph (mulberry paper, 2 colours)
43 x 62 cm
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Lederhosen, 1980
lithograph
38 x 57 cm
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Munich Shoppers, no. 1 / Bavarian Shoppers, 1980
lithograph (13 colours)
38 x 57 cm
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Olympiazentrum (Munich), 1980
lithograph (2 colours)
43 x 63 cm
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Marienplatz (Munich), no. 1, 1980
lithograph (7 colours)
38 x 57 cm
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Woman of Bavaria, 1980
lithograph
60 x 80 cm
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The Gardener's Dream, no. 2, 1980
lithograph (12 colours)
60 x 80 cm
Collection: National Gallery of Australia
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The Empty Chair, 1980
lithograph (9 colours)
40 x 61 cm
Collection: National Gallery of Australia. Gift of the artist, 1987 (ed. 3/30)
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Two (lithograph, crayon black), 1978
lithograph
80 x 60 cm
Collection: Mornington Peninsula Regional Gallery
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Two (lithograph, coloured), 1978
lithograph (10 colours)
80 x 55 cm
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At Home (etching), 1978
unique etching (1st state)
40 x 48.5 cm
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Two (etching), 1978
etching
28.5 x 22 cm
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Two (lithograph, sepia), 1978
lithograph
80 x 60 cm
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The Retired Mechanic, 1978
lithograph (2 colours)
59 x 80 cm
Collection: National Gallery of Australia
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At Home: No. 278, 1978
lithograph (6 colours)
40 x 58 cm
Collections: National Gallery of Australia; Westmead Hospital, Sydney; Private collections
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Children Playing in Carpark, 1978
dry point etching (zinc)
22 x 25.5 cm
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Stephen and Tigger (etching), 1978
soft ground etching
40 x 59.5 cm
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Casualty: Children's Hospital, 3 am, 1978
lithograph (6 colours)
61 x 80 cm
Collection: National Gallery of Australia
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The 470 at 6pm (Sydney Bus), 1978
lithograph (6 colours)
56 x 40 cm
Collection: Westmead Hospital, Sydney
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Pedestrian Crossing, no. 2, 1977
lithograph (5 colours)
53 x 80 cm
Collection: National Gallery of Australia
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The Gardener's Dream, no. 1, 1976
lithograph (10 colours)
52.5 x 76 cm
Private collections, Australia
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Byzantine Birthday, 1975
lithograph (3 colours)
38 x 53 cm (var.)
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Slingshot, 1975
woodcut
63 x 47 cm
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Tired Travellers, 1972
stone lithograph
38 x 56 cm
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The Birthday Hat, 1972
unique lithograph (3 colours)
56 x 68 cm
Collection: National Gallery of Australia
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Sister and Brother, Bleak Glebe, 1972
stone lithograph
56 x 38 cm
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The Drummer, 1960
dry point etching (aluminium)
36 x 24 cm
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Thieves at the Market, 1960
unique stone lithograph
31 x 51 cm
Collection: National Gallery of Australia
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The Tibetan / Old Tibetan, 1960
dry point etching (aluminium)
39 x 29 cm
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The Worker / Working Man, 1960
stone lithograph
51 x 39 cm