WATERCOLOURS : Scenes

The artist favours watercolour for flower and nature studies and has produced countless portrait studies in watercolour, including babies and children.  She sometimes combines watercolour with mixed-media, pen, and pencil, using pure watercolour for landscape compositions and more finished portraits.  The compositions for the artist’s major acrylic paintings are developed through preliminary watercolour sketches.

Her landscape compositions are influenced by the poetic approach of Chinese masters who capture the essence of a scene after immersing themselves in the environment. This all-encompassing perspective is in direct contrast to the limiting “snapshot” view painted at the scene.  In some of her watercolour landscapes she paints on crumpled Japanese paper to create a shimmering textural effect.

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WATERCOLOURS

Theme: Scenes
WATERCOLOURS Theme: Scenes
84 Works to view Page 1 2
84 Works to view Page 1 2

Scenes: Atmospheric landscapes composed in the studio: trees, rivers, rocks, cliffs. Plein air (early works) include bush, desert, sunsets and coastal scenes. City scenes include: streets, buildings, backyards, factories, and construction sites.
  • Winter Trees, Second Creek, Ivymeade, Burnside, 1959
    watercolour
    54 x 37 cm
  • Off-loading, Outer Harbour, Port Adelaide, 1959
    watercolour and pen
    24.5 x 40 cm (var.)
  • Outer Harbour, Port Adelaide, 1959
    watercolour and crayon
    46 x 33.5 cm
  • Gulls and Workmen, Outer Harbour, Port Adelaide, 1959
    watercolour and pen
    25.5 x 27 cm
  • Two Gums, Frome Road, Adelaide, 1959
    watercolour, pencil and cray-pas
    37 x 26.5 cm
  • Two Gums, Ivymeade, Burnside, 1959
    watercolour
    26 x 23 cm
  • Salt Lake (near Port Lincoln), 1959
    watercolour
    52.5 x 36 cm
    Private collection, Australia
  • Aunty Dot's Hens at Grandpa's Workshop, 1958
    watercolour
    27 x 35 cm
  • Mount Gipps, Broken Hill, 1957
    watercolour
    23 x 36.5 cm

WATERCOLOURS : Scenes 84 Works to view Page 1 2
WATERCOLOURS : Scenes 84 Works to view Page 1 2


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