carving Chillagoe limestone
SCULPTURES: Assemblage, Wood
The contemporary artist Susan White produces sculptures in bronze, stone, wood, and mixed media assemblage. Her skills in carving, combined with a profound knowledge of the human figure, give her sculpture a depth of expression.
Susan White's subject matter is drawn from many sources, including human rights, the status of women, literature, music, and natural forms. She transforms idioms into three dimensions. Her mixed media sculptures are assemblages of everyday objects and fabrics centered around hands carved in wood. Humor and imagination make her figurative sculptures distinctive.
"Referring to the balance between gender and races, the bold sculpture It Cuts Both Ways suggests that 'any potential movement of either pair of hands would activate both pairs equally'. To realize the piece, she replaced the handles of garden shears with hands carved from salvaged huon pine (which can take up to 3,000 years to grow!) and modified found clothing for the sleeves..."
Sarah Tanguy, Curator, Hechinger Collection, Washington DC (2002)
carving Chillagoe limestone
SCULPTURES
The contemporary artist Susan White produces sculptures in bronze, stone, wood, and mixed media assemblage. Her skills in carving, combined with a profound knowledge of the human figure, give her sculpture a depth of expression.
Susan White's subject matter is drawn from many sources, including human rights, the status of women, literature, music, and natural forms. She transforms idioms into three dimensions. Her mixed media sculptures are assemblages of everyday objects and fabrics centered around hands carved in wood. Humor and imagination make her figurative sculptures distinctive.
"Referring to the balance between gender and races, the bold sculpture It Cuts Both Ways suggests that 'any potential movement of either pair of hands would activate both pairs equally'. To realize the piece, she replaced the handles of garden shears with hands carved from salvaged huon pine (which can take up to 3,000 years to grow!) and modified found clothing for the sleeves..."
Sarah Tanguy, Curator, Hechinger Collection, Washington DC (2002)
MEDIA:Assemblage, Wood
1983–present
Assemblage, Wood
14 Works to view
14 Works to view
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Measure for Measure, 2003
carved salvaged Huon pine, vintage calipers, fabric, string, plumb-bob
180 x 61 x 56 cm
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Lost for Words, 2003
carved salvaged Huon pine, paint, fabric, The Compact Oxford English Dictionary, A Gumbaynggir Language Dictionary, map of Aboriginal Languages of Australia.
94 x 85 x 38 cm
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Reinventing the Wheel, 2001
carved salvaged Huon pine, dividers, fabric, vintage car wheel, drafting paper, doorbell
76 x 110 x 82 cm
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Next-Door Neighbours, 2000
carved salvaged Huon pine, cedar door, hardwood door, sleeves, walking stick, bag, doormat, bullet casings
202 x 103 x 98 cm
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It Cuts Both Ways, 1998
carved salvaged Huon pine, fabric, shears, paint
120 x 46 x 10 cm
Hechinger Collection - International Arts & Artists, USA
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Woodworm, no. 2, 1989
red sirus
12 x 33 x 12 cm
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The Long Arm of the Law, 1988
carved wood, fabric and mixed media
250 x 200 x 50 cm
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Woodworm, no. 1, 1987
red sirus
13 x 26 x 10 cm
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Man in the Moon: Awake and Asleep, 1986
brush-box, black and white conté, mounted on steel pin with base
55 x 59 x 10 cm (inc. base)
(front view 'awake', back view 'asleep')
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Companion for Brancusi's 'Young Man', 1986
Queensland maple
20 x 45 x 10 cm
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Wall Mask, 1985
hoop pine
20 x 10 x 10 cm
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Eternal Pursuit, 1985
salvaged Huon pine
21 x 9 x 8 cm
Private collection, Australia
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Blowflies: Soundboard Rose in Harpsichord, 1983
beech
10 cm dia.
(detail of painting on soundboard)
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Horse's Head, for Grandpa, 1951
relief carving in maple
12 x 12 x 2.5 cm
(childhood work)
SCULPTURES :
Assemblage, Wood
14 Works
SCULPTURES :
Assemblage, Wood
14 Works