Susan Dorothea White Bibliography

The manner of presenting printmaking, which was often criticised in the 1970s, proved appropriate in the early 1980s, while the uninterrupted tradition of the Biennial’s execution became its greatest quality. The show of partisan printmaking reverberated among the accompanying exhibitions. The idea of setting up the International Centre of Graphic Arts to complement and expand the Biennial’s activities was growing. The variety and diversity of artistic expression came to the fore with the desire for an individual personal statement. Classical printmaking techniques, drawing and more intimate formats took root.