Cattai Ridge, 1976
watercolour on crumpled Japanese paper

"Her strength is in draftsmanship and sensitive observation of trees and their branching. She discovers lyrical grace in twisting limbs as in 'Bush Moot', 'View of the Lane Cove River', 'Broken Branch'.” ~ Elizabeth Young, The Advertiser (1972)

WATERCOLOURS: Pen or pencil & watercolour

The artist favours watercolour for flower and nature studies and has produced countless portrait studies in watercolour, including babies and children.  She sometimes combines watercolour with mixed-media, pen, and pencil, using pure watercolour for landscape compositions and more finished portraits.  The compositions for the artist’s major acrylic paintings are developed through preliminary watercolour sketches.

Her landscape compositions are influenced by the poetic approach of Chinese masters who capture the essence of a scene after immersing themselves in the environment. This all-encompassing perspective is in direct contrast to the limiting “snapshot” view painted at the scene.  In some of her watercolour landscapes she paints on crumpled Japanese paper to create a shimmering textural effect.


Media:Pen or pencil & watercolour
Pen or pencil & watercolour
2 Works to view
2 Works to view

  • Pumpkin Leaves, 1985
    watercolour and pen
    36.7 x 53 cm
  • Bill Asleep with Toy Koala, 1958
    watercolour and pen
    37 x 27 cm

WATERCOLOURS : Pen or pencil & watercolour 2 Works
WATERCOLOURS : Pen or pencil & watercolour 2 Works

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