"Susan Dorothea White ... explores the most intimate experiences of her life, as well as more topical subjects, in meticulously limned paintings on wood panels. Her ability to examine unflinchingly such personal milestones as her surgery for a benign brain tumour with a dazed self-portrait in a vertiginously askew hospital setting results in some of the most emotionally jarring narrative imagery in recent art."
Gallery & Studio, New York (1998)
The artist has developed a technique using multiple washes of acrylic paint on plywood panels, often accentuating the wood grain to create texture through translucent glazes. Major paintings are developed through preliminary watercolour compositions and from numerous drawings and pen sketches. The artist favours watercolour for spontaneous work, flower and nature studies.
PAINTINGS
"Susan Dorothea White ... explores the most intimate experiences of her life, as well as more topical subjects, in meticulously limned paintings on wood panels. Her ability to examine unflinchingly such personal milestones as her surgery for a benign brain tumour with a dazed self-portrait in a vertiginously askew hospital setting results in some of the most emotionally jarring narrative imagery in recent art."
Gallery & Studio, New York (1998)
The artist has developed a technique using multiple washes of acrylic paint on plywood panels, often accentuating the wood grain to create texture through translucent glazes. Major paintings are developed through preliminary watercolour compositions and from numerous drawings and pen sketches. The artist favours watercolour for spontaneous work, flower and nature studies.
THEME:
People
People
68 Works to view
68 Works to view
People: The human narrative and genre scenes inspired by domestic situations, people at work, musicians, commuters, social issues, blindness, illness, poverty, old age. Portraits include family members, self-portraits, children, babies, and people in their environment. In major paintings the subject is repeated from varied viewpoints in a fugal style composition.
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Brother Bill Reading, c. 1961
oil on composition board
42 x 33.5 cm
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Mum's Centenarian Sunset, 2013-2014
acrylic on Australian red cedar panel
60 x 90 cm
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The Anatomy Lesson of Dr Freeman, 2012
acrylic on panel
120 x 153 cm
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Go Granny, Go!, 2003
acrylic on panel
65 cm
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Menopausal Me in a Saucepan Lid, Warts 'n All, with Everything, including the Kitchen Sink, 2001
acrylic and collage on panel
60 x 120 cm
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The Histology Lecture, 1999-2000
acrylic on panel
120 x 120 cm
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Recovery after Brain Surgery, 1998
acrylic on panel
140 x 120 cm
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The Blind Woman of Annandale, 1998
acrylic on panel
112 x 112 cm
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Freudian Early Morning, 1998
acrylic on panel
107 x 132 cm
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Me after Brain Surgery, 1997
acrylic on panel
102 x 72 cm
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The Crowning with Sexism, 1994
acrylic on Australian red cedar panel
74 x 59 cm
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Paul the Environmentalist, Levitating in the Rainforest, 1993-1999
acrylic on panel
120 x 240 cm
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The Seven Deadly Sins of Modern Times (painting), 1993
acrylic on wooden tabletop
dia. 123 cm
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To Cut Both Ways (painting), 1993
acrylic on panel
100 x 100 cm
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The Inspired Lecturer, 1992 and 1998
acrylic on panel
120 x 120 cm
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The Seven Deadly Isms, 1992
acrylic on wooden tabletop
dia. 122 cm
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Brian Phoning Australia from Weesp (The Netherlands), 1991, 1996
acrylic on panel
77 x 70 cm
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Backyard Gossip in Weesp / Homesick, 1991
acrylic on panel
75 x 122 cm
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The Man in Drag, the Violinist, the Artist, and the Thief on a Tram in Amsterdam, 1990
acrylic on panel
94 x 63 cm
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The Absence of the Prodigal Daughter / The Absence, 1990
acrylic on panel
198 x 125 cm
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Dad in Hospital / The Diabetic, 1989
acrylic on panel
90 x 60 cm
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The First Supper, 1988
acrylic on panel
120 x 240 cm
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Moods (self-portrait), 1986–1988
acrylic on panel
150 x 120 cm
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Beatrice the Paper-Seller of the White Bay Intersection / White Bay Intersection, 1986
acrylic on panel
98 x 123 cm
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The Life and Death of St. Francis of Australia (painting), 1982 & 1993
acrylic on panel
183 x 122 cm
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Self with Children / Self-Portrait with Children, 1982
acrylic on panel
92 x 122 cm
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Seated, 1981
acrylic and collage on panel
122 x 92 cm
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A Month in Time (September 1980), 1980-82
acrylic on panel
110 x 120 cm
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The Nun and The Knight on the Train to Rothenburg, 1980
acrylic on panel
57 x 122 cm
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Autobiography, 1980
acrylic on panel
183 x 122 cm
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Dreaming of Bavaria, 1979-80
acrylic on panel
183 x 92 cm
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Noah's Rocket, 1978-80
acrylic on panel
122 x 81 cm
Private collection, Germany
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Dr Brian Freeman, 1978
acrylic on panel
213.5 x 122 cm
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People of Sydney, 1977, 1982
acrylic on panel
183 x 100 cm
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Clyde Thorpe, RRMSSO, Violinist, Teacher, 1977
acrylic on panel
128 x 113 cm
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Damien White - Author, 1977
acrylic and collage on panel
71 x 100 cm
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Yo-yoing / From the Fifth Floor, 1977
acrylic on panel
103 x 98 cm
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The Magic Pudding (painting), 1977
acrylic on panel
94 x 63 cm
Private collection, Australia
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The Front Veranda / Do Not Go Gentle, 1977
acrylic on panel
97 x 71 cm
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Brahms: String Sextet No. 1 / Sextet, 1977
acrylic on panel
183 x 122 cm
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Professor Robert Connell, 1976
acrylic on panel
80 x 122 cm
Private collection (deteriorated condition - unrestored)
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The Cup of Tea, 1976
acrylic on panel
65 x 70 cm
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Evening: Factory Valley, 1976
acrylic on panel
71 x 99 cm
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Eric's Cafe - Resale Royalty Rights, 1974
acrylic and collage on panel
62 x 77 cm
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Three-quarter Birthday (painting), 1973
acrylic on composition board
71 x 63 cm
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Homeless Man in Primula Bed, 1973
acrylic on composition board
53 x 37.5 cm
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Cul-de-sac, 1972
oil with acrylic underpainting on composition board
76 x 122 cm
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Awaiting (Glebe), 1971
acrylic on composition board
66 x 56 cm
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Joan Kinmont, Writer, 1969
acrylic on composition board
70 x 60 cm
Private collection, UK
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Paul, Soulful Young Boy, 1968
oil on composition board
30.5 x 25 cm
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Michaela with Doll, 1967
acrylic on composition board
30.5 x 30.5 cm
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Uncle Ted, Stirring Tea, 1967
acrylic on composition board
61 x 76 cm
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Portrait of Baby Paul, with Hands, 1965 circa
peinture à l’essence on cardboard
60 x 40 cm
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Michaela Cuddling Paul, 1965
oil on composition board
91 x 61 cm
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Michaela Pointing to Baby Paul, 1965
oil on composition board
51 x 84 cm
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Babies: Michaela and Paul, 1965
oil on composition board
40.5 x 50.5 cm
Private collection, Australia
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Baby Paul, Hot Summer Night, 1965
oil on composition board
122 x 91 cm
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Baby Paul, 1965
oil on composition board
41 x 47 cm
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Baby Michaela, 1964
oil on home-prepared duck on composition board
57.5 x 46 (var)
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Perce (remaining fragment of destroyed painting), 1962
oil on composition board
81 x 29 cm
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Rosalind Hughes, 1962
oil on composition board
61 x 44.5 cm
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Dad (WRB White) under Tungsten Light, 1961
oil on composition board
48 x 42 cm
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H L (Les) Cotton, 1961
oil on composition board
58 x 48 cm
Private collection, Australia
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Dad Working at Kitchen Table, 1961
oil on composition board
91 x 76 cm
Verso: Rocky landscape, 1960 (76 x 91 cm)
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Flick (Felicity Thompson), 1960 (circa)
oil on composition board
44.5 x 44 cm
Private collection, UK
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Rocky Landscape, 1960
oil on composition board
76 x 91 cm
(verso of Dad working at kitchen table, 1960, 91 x 76 cm)
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Ted Wearing Glasses, 1960
oil on composition board (saw-cuts on right side)
53.5 x 39.5 cm
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Uncle Ted in Dressing Gown, Reading, 1959
oil on composition board
82 x 66 cm
PAINTINGS :
People
68 Works
PAINTINGS :
People
68 Works