Gluteus maximus (window cut in muscle, sciatic nerve, right hip, lateral view) 2006
pastel and conté
29.7 x 21 cm

Muscle action of an archer (posterior view) 2006
drafting pen, brown ink and spittle wash
21 x 29.7 cm

Mona masticating 2006
watercolour and gouache over giclée print
29.7 x 21 cm

Passionfruit and flower 2006
(Passiflora edulis)
goldpoint, coloured pastel and conté
21 x 28 cm

Lilly pilly, blossoms and berries 2006
(Syzygium sp.)
goldpoint, coloured pastel and conté
28 x 21 cm

Feisty 95-year-old Mum 2006
goldpoint, coloured pastel and conté
28 x 21 cm

Marking exams 2006
goldpoint, black chalk and white chalk
28 x 21 cm

Abducted thigh (muscles, femoral arteries, genitalia, anterior view) 2006
Thigh muscles, femoral arteries, external genitalia
pastel
29.7 x 21 cm

The cyclist, tennis player in background (spine, ribs, scapulae, neck muscles, posterior view) 2006
pastel
21 x 29.7 cm

Upper limb actions (flexing and lifting , flexing and gripping, extending and pointing) 2006
chalk
116 x 86 cm

Back of the blade (muscles and spine of scapula, left shoulder, posterior view) 2006
pastel
29.7 x 21 cm

Drawing the bow (muscle action of an archer, anterior view) 2006
pastel
21 x 29.7 cm

Anatomy of Michelangelo's 'David': proportion and contrapposto (posterior view) 2006
chalk
116 x 86 cm

Anatomy of Michelangelo's 'David': proportion and contrapposto (anterior view) 2006
chalk
116 x 86 cm

Neck (right side): deep muscles and levator scapulae 2006
pastel
29.7 x 21 cm

Head and neck anatomy (half skull, half facial muscles) 2006
pastel
29.7 x 21 cm

Face and neck muscles (left side), lateral view 2006
pastel
29.7 x 21 cm

Insight (muscles of facial expression) 2006
aka Here's looking at you
pastel
29.7 x 21 cm

Step-by-step bath towel, steps 1–4 2005
pencil on recycled card
29.7 x 21 cm

Betraying chalk for conté 2005
conté pencil and conté sticks with damp brush wash
21 x 16 cm

Draw Like Me 2005
red and white chalk, drafting pen and ink
26 x 21 cm

Stonehenge, drawn with freezing hand 2005
drafting pen, black ink
14 x 11 cm

Fetal skeleton 2005
drafting pen, black ink
34.9 x 28 cm

Musicians living in Amsterdam 2005
pastel
29.7 x 42 cm

15-colour sfumato tomato 2005
pastel chalks
32.5 x 24.5 cm

Sex change for Vitruvian Man 2005
After Leonardo's 'Vitruvian Man'
drafting pen, black ink and gouache
24.5 x 21 cm

Surgery reattaching Ginevra de 'Benci's arms and hands 2005
graphite underdrawing, coloured pencil and conté on giclée
29.8 x 20.9 cm

A pizza on the wrong plane in the wrong millennium 2005
calligraphy pen, brown ink and coloured pencil
21 x 29 cm

Unregistered Vehicle - Get with the Times! 2005
calligraphy pen and ink, wash, black and blue ballpoint pens, coloured pencil and correction fluid
21 x 29 cm

Gilding the lily 2005
goldpoint, black chalk and white chalk
23 x 28 cm

Stretching the Imagination (life size hands) 2005
bronze, brown patina
20 x 20 x 64 cm

GM bean bud, no. 2 2005
bronze, green patina
7 x 6.5 x 7 cm

Goulburn River (escarpment) 2004
drafting pen, black ink and sienna ink with watercolour
32 x 40.2 cm

Rock star 2004
carved Gosford sandstone
24 x 21 x 9 cm

Gripping right hand 2003
pastel
30 x 42 cm

Wounded tree from our window 2003
pastel
63 x 93.5 cm

Young Street from our window 2003
pastel
62.5 x 94.5 cm

Go Granny, go! 2003
acrylic on plywood panel
65 cm diameter

Lost for words 2003
assemblage: carved salvaged Huon pine, paint, wax, fabric, The Compact Oxford English Dictionary, A Gumbaynggir Language Dictionary, map of Aboriginal Languages of Australia
94 x 85 x 38 cm

Anatomy of Rodin's Andromeda: pelvis, sacrum and coccyx 2002
drafting pen, black ink, wash and white correction fluid
30 x 20.3 cm

Anatomy of a smile: Mona's bones 2002
watercolour, gouache and pencil over giclée print
24 x 19 cm

Imy listening to 'The Hobbit' 2002
pastel
55.5 x 79 cm

Little goddess Gaia 2002
bronze, brown patina
21.5 x 19.5 x 19.5 cm

Stephen in ABO Farewell Concert, ABC Hall 2001
aka Stephen in ABO farewell ABC Hall
drafting pen, black ink
20.9 x 28.4 cm

Peretta Anggerek (countertenor), ABO Farewell Concert, ABC Hall 2001
drafting pen, black ink
20.9 x 28.4 cm

Tommie Andersson (theorbo), ABO Farewell Concert, ABC Hall 2001
drafting pen, black ink
20.9 x 28.4 cm

Craig Hill (basset clarinet), Stephen Freeman (violin), Nicole Forsyth (viola), ABO 2001
drafting pen, black ink
20.9 x 28.4 cm

Bisection of head, neck and thorax (both halves, viscera removed) 2001
pencil and conté
29.5 x 42 cm

Upper limb and shoulder (muscles, tendons, fascia, left, posterior view) 2001
pastel
29.5 x 42 cm

Sole of left foot and ankle 2001
aka Undersole of Left Foot
drafting pen, brown and black ink
21.6 x 26.9 cm

Head and shoulder, abducted arm (left side, superior view) 2001
drafting pen, black ink
42.1 x 29 cm

Mother and son (proportions in skeletons) 2001
Skeletons of adult and child contrasted
pastel and conté
42 x 29.5 cm

Dissected legs and feet (muscles, fascia and Achilles tendons) 2001
Legs and feet: muscles, fascia, Achilles tendons
pastel and conté
30 x 42 cm

Stephen in Mixed Doubles, Canberra 2001
aka Baroque Violinist - Stephen Freeman
drafting pen, black ink
28.4 x 20.9 cm

Boiling the billy 2001
pastel
29.7 x 42 cm

Due 2001
pastel
42 x 29.7 cm

Menopausal me in a saucepan lid, warts 'n' all, with everything, including the kitchen sink 2001
acrylic and collage on plywood panel
60 x 120 cm

Reinventing the Wheel 2001
assemblage: carved salvaged Huon pine, wax, dividers, fabric, vintage Ford Model T wheel and tyre, doorbell, drafting paper
76 x 110 x 82 cm

Measure for measure 2001
assemblage: carved salvaged Huon pine, wax, fabric, string wound on dowel, antique plumb-bob, vintage steel railway callipers, U-bracket
180 x 61 x 56 cm

Eric Hoeprich (classical clarinet), Australian Brandenburg Orchestra 2000
drafting pen, brown ink
14.6 x 20 cm

Lower limb and bisected pelvis specimen 2000
drafting pen, black ink
29 x 42.1 cm

Genevieve Lacey (recorder), Australian Brandenburg Orchestra 2000
drafting pen, brown ink
14.6 x 20 cm

Stephen Freeman – baroque violinist 2000
pastel
52.5 x 84.4–84.7 cm

Next-door neighbours 2000
assemblage: carved salvaged Huon pine, paint, wax, sleeves, cedar door, rustic hardwood door, doorbell, doorknocker, oval door-plaque 2000, antique walking stick, haversack, doormat, bullet casings
202 x 103 x 98 cm

The Histology Lecture 1999–2000
acrylic on plywood panel
120 x 120 cm

Coming out of one's shell 1999
bronze, brown patina
17 x 14 x 13 cm

Cheeky Imy 1999
aka Imy Putting Flower behind Ear
bronze, red-brown patina; hardwood base
27 x 30 x 29 cm (bronze)

Columbia University Medical Center café 3 1998
drafting pen, black ink
19 x 24 cm

Jordi Savall at Martigny, conducting Bach 1998
drafting pen, brown ink
19.1 x 24 cm

Storytime for grandchildren 1998
drafting pen, brown ink
19.1 x 24 cm

Recovery after brain surgery 1998
acrylic on plywood panel
140 x 120 cm

The Blind Woman of Annandale 1998
acrylic on plywood panel
112 x 112 cm

Freudian Early Morning 1998
acrylic on plywood panel
107 x 132 cm

Soprano singing in a Bach 'Passion' 1998
aka The Soprano
bronze, black patina; marble base
40 x 19.5 x 15.5 cm (bronze), 20 x 7.5 x 7.5 cm (base)

The dance of eternity 1998
aka Torso-less Performing a Möbius Strip
bronze, black patina; marble base
33 x 23.5 x 12 cm (bronze), 5 x 14.5 cm (h x diameter, base)

It Cuts Both Ways 1998
assemblage: carved salvaged Huon pine, fabric, shears, paint, wax
46 x 119 x 10 cm

Germination / Sheela seedpod 1997
woodcut
50 x 39.5 cm (printed image); 80.5 x 52 cm (sheet)

Food Court, Leichhardt Market Place 1 1997
drafting pen, sepia ink
14.8 x 21 cm

Pepper's snout and paws 1997
Dierdre Dowling's dog. Published in Draw Like da Vinci
drafting pen, sepia ink and spittle wash
21 x 14 cm

Me after brain surgery 1997
acrylic on plywood panel
102 x 72 cm

Germination 1997
aka Sheela Seed-Pod
bronze
21 x 15 x 13 cm

Giant slugs in love 1997
carved Gosford sandstone
36.5 x 28.5 x 16.5 cm

Head in the clouds 1997
carved Bungonia limestone
45 x 33.5 x 58 cm

Stephen in green headscarf 1996
watercolour
35.5 x 51 cm

Pog (Aunty Dossie) in nursing home 1996
drafting pen, sepia ink
13.3 x 21.7 cm

Intensive Psychiatric Care Unit (IPCU) 1996
aka Intensive Psychiatric Care Unit, Rozelle Hospital, Callan Park
woodcut
49.5 x 39 cm (printed image); 80.5 x 50.5 cm (sheet)

Dug, talking 2 1996
drafting pen, sepia ink
21 x 14 cm

To Cut Both Ways 1996
chrome-plated bronze and stainless-steel scissors
15 x 37 x 6 cm

Dante's Porter-Angel at the Gates of Purgatory 1996
with Hinged Wings and Keys
aka The Hinged-Winged Angel at the Gates of Purgatory
bronze with strap-hinge wings, chrome- and gold-plated keys, black patina
32.5 x 29.5 x 15 cm

Paul dreaming 1995
watercolour
36 x 54 cm

The spirit of the Willy-Willy wind 1995
bronze, black patina; marble base
62.5 x 15 x 31 cm (bronze), 5 x 15 x 30 cm (base)

The Crowning with Sexism 1994
acrylic on Australian red cedar plywood panel
73.2 x 59.3 cm

Stretching the Imagination (small version) 1994
bronze, brown or red-brown patina
7 x 21 x 7 cm

Young Amazon in training 1994
carved Gosford sandstone
31 x 45 x 29 cm

To Cut Both Ways (painting) 1993–94
acrylic on plywood panel
100 x 100 cm

Paul the Environmentalist, levitating in the rainforest 1993–1999
acrylic on plywood panel
120 x 240 cm

Green figurine 1993
carved serpentinite
2.7 x 1.8 x 1.3 cm

The Seven Deadly Sins of Modern Times (blockprint) 1993
blockprint
60 x 61 cm (printed image); 70 x 66 cm (sheet)

The Seven Deadly Sins of Modern Times 1993
acrylic on wooden tabletop
123 cm diameter

Beauty and the Beast 1993
carved Mooney Mooney sandstone
74 x 69 x 59 cm

The Inspired Lecturer 1992, 1998
acrylic on plywood panel
120 x 120 cm

Why not Lot? 1992, 1994
carved Mooney Mooney sandstone
99 x 42 x 46.5 cm

Blossom on branch of West Australian gum 1992
(Eucalyptus caesia)
watercolour and drafting pen, brown ink
38 x 50.8 cm

Paul in vest, leaping 1992
watercolour
76 x 56 cm

Choosing another face 1992
lithograph (bleed print)
38 x 57 cm (image and sheet)

Blind (woodcut) 1992
woodcut
42 x 63.5 cm (printed image); 57 x 76 cm and 60.5 x 80 cm (sheets, var.)

The Seven Deadly Isms 1992
acrylic on wooden tabletop
122 cm diameter

Atlass 1992
aka Ms Atlass
bronze, black or blue-black patina
32 x 15 x 15 cm

Show of hands 1992
aka Gestures
carved Gosford sandstone
29 x 29 x 25.5 cm

Brian phoning Australia from Weesp (The Netherlands) 1991, 1996
acrylic on plywood panel
77 x 70 cm

Paul with red beard 1991
watercolour
54 x 36 cm

Cat in snow, backyard, Weesp, Netherlands 1991
watercolour and drafting pen, black ink
41 x 31 cm

Atlass (lithograph) 1991
lithograph (ultramarine)
50 x 35 cm (printed image); 61 x 41 cm (sheet)

Blind 1991
stone lithograph
30 x 33 cm (printed image); 41 x 61 cm (sheet)

Choosing a mask 1991
stone lithograph (hand-coloured blue wash)
30 x 41 cm (printed image); 38 x 57 cm (sheet)

Backyard gossip in Weesp 1991
aka Homesick
acrylic on plywood panel
75 x 122 cm

Girl skipping 1990–91
carved Gosford sandstone
64 x 46 x 40 cm

Maya, terra cotta figure, Dahlem Museum (idea) 1990
drafting pen, brown ink and spittle wash
17.6 x 19.6 cm

Slugs in love 1990
aka Hug
carved Sydney sandstone
18 x 14 x 13 cm

To Let / The diabetic evicted from The Rocks (black) 1990
stone lithograph
44 x 30 cm (printed image); 57 x 38 cm (sheet)

Onions from Weimar 1990
watercolour
31 x 41 cm

Gymea lily, bud stage 1990
(Doryanthes excelsa)
watercolour
76.2 x 56.3 cm

Man creating the hole in the ozone layer (4th and final state) 1990
woodblock (5 colours, hand-coloured)
22 x 31 cm (printed image); 27 x 36.5 to 28 x 37.5 cm (sheets, var.)

To Let / The diabetic (evicted from The Rocks) 1990
stone lithograph (12 colours)
44 x 30 cm (printed image); 57 x 38 cm (sheet)

The man in drag, the violinist, the artist, and the thief on a tram in Amsterdam 1990
aka The Man in Drag, the Violinist
acrylic on plywood panel
94 x 63 cm